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Oil painting depicting a fictional examination scene incorporating portraits of several senior members of the Court of Examiners from the late 1800s. Three viva voce interviews are taking place in the room: in each, a young candidate sits at a table covered in anatomical and pathological specimens, and is being quizzed by a pair of examiners. In the background on the left of the painting the examiners are Edward Lund (1823-1898) and Sir William MacCormac (1825-1901): Lund is writing notes while MacCormac sits with his left hand on his ear as the candidate studies the pot in front of him. In the centre and foreground of the painting a second candidate is being examined by John Wood (1825-1891) and Sir Jonathan Hutchinson (1828-1913). The candidate - a young man with short dark hair and a dark moustache - is holding a specimen up to the light and regarding it quizzically. Wood, seated behind the table and positioned in the centre of the scene, is leaning forward with his head resting on his right hand and his elbow on the table: he is staring at the candidate intently, but his face and his posture convey a sense of weariness and exasperation. To Wood's left (and the viewer's right) Hutchinson is sitting back and regarding the candidate more dispassionately. Behind Wood and Hutchinson, in the background on the right of the painting, John Marshall (1818-1891) and Frederick Le Gros Clark (1811-1892) are examining a third candidate. On the wall of the room behind this scene is a central fireplace, above which the lower part of the portrait of John Hunter is visible. To the left, part of the portrait of Anthony Carlisle can be seen, while to the right the lower portion of the portrait of Astley Cooper is visible.

The Viva by Henry Jamyn Brooks, 1894

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Paintings, Sculpture and Furniture

The Special Collections contain decorative and fine art objects including paintings, drawings, photographs, statues, busts, furniture, engravings and the Royal College of Surgeon’s regalia and silverware. Objects from this collection are displayed in the Hunterian Museum and around the College building.

Oil paintings held in the RCSEng and John Hunter collections can be found at ART UK

Objects in this collection have museum identification numbers with the prefix RCSSC.

Half length portrait of a woman facing to the left; the arms crossed, wearing a light-brown dress with fur sleeves, her long hair is bound with a white ribbon with a head-dress and long bead ornaments hang down on each side of her face. Faint traces of tattoos are visible on her chin, in a series of lines running down and slightly radiating out from her lower lip.

Portrait of Caubvick, an Inuit woman from Labrador, c.1772
RCSSC/P 243

Drawings of 14 shark teeth of various sizes

Drawings of a series of fossil shark teeth, by James Parsons, signed, before 1770.
RCSSC/HDB/3/1/861/1

Bronze shoulder and head figure of a man gazing down examining and object held in his left hand with a small magnifying glass in his right hand. The man is wearing a skull cap with hair flowing from below the cap. He is wearing and bowed tie and large cloak.

Bust of Richard Owen by Alfred Gilbert
RCSSC/P 185

Ceramic jar decorated with oval panels of oak leaves and acorns in yellow with green on a dark blue ground. Above, a narrow band bearing the inscription 'T.D.REVBO.M', and below a narrow stiff leaf border in blue and white. At the top and bottom of the jar are twisted rope borders in yellow.

17th century dry drug jar with a label that translates as 'Rhubarb Lozenges'
RCSSC/C 12

SurgiCat

Royal College of Surgeons of England collections catalogue

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