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Tuesday to Saturday: 10am – 5pm

A row of orange circles on a black background. Each circle shows the microscopic view of an object.

Microscope slide image projections, 2010. Credit: Susannah Edwards

Curious: The craft of microscopy

16th February–3rd July 2010

My work has relevance to those with both scientific and artistic interests – and I hope that both can gain something from this crossing over.
Susannah Edwards, 2010

Several years ago artist Susanna Edwards happened to come upon a collection of Victorian microscopic slides in a second-hand shop. She was intrigued by the creativity and dexterity involved in making these delicate objects. 

Using eight microscopes dating back to the 18th century to photograph her slide collection, she has created a stunning series of images which show how technology has changed the way we see the world. 

The exhibition includes large-scale photographic prints alongside the instruments used to make them, the oldest of which is a 1730s Culpeper microscope.

Anybody that enjoys microscopy would love to have the opportunity to work with such fine historic instruments. And, what artist would not love to present their work at a high-profile exhibition? What is thrilling about this project is that it has brought the two together in such a positive way. It will allow a new audience to see real examples of the development of the light microscope over the past 300 years.
Professor Chris Hawes, past Vice President of the Royal Microscopical Society
Microscopy has played a vital role in the development of modern surgery and medicine. We’re delighted to showcase Susanna’s work, which casts new light on a technology that we often take for granted
Simon Chaplin, past director of the Hunterian Museum

Artist Statement

Susanna Edwards is an artist, designer and lecturer. She is known for her diverse and innovative approach to the teaching and practice of art, design and illustration, spanning traditional and digital approaches to problem-solving.

Her own work often originates from traditional hands on ways of working such as letterpress and printmaking, but crosses over into digital and other areas such as photography, typography, print and publishing, editorial, research, writing, film and fine art. Shifting between different media with an emphasis on creativity and play, Edwards provides refreshing alternative art, design, research and art direction at the forefront of contemporary visual communication.

See Susannah's website for previous and future projects.

Original glass microscope slides featured in the exhibition

Plant Sections (Ivory Slider) (1750-70)
Blood of Frog (1900)
Section of Trichinous Human Muscle (1890)
Skin of Synapta (Sponge spicules) (1880)
Scales of Sole (1880)
Insect From Egg (India) (1880)
Injected Foot of Salamander (1860)
Stem of Horsetail (post 1900)
Injected Cat Lung (1860)

Microscopes from the Science Museum collections used in the exhibition

Culpeper Microscope (1720-38)
Cuff Microscope (1750-60)
Drum Type Microscope (c.1825-50)
Compound Microscope by Pillischer (1855-60)
Monocular Microscope by Crouch (1880-90)
‘Royal’ Microscope by Watson (1937)
Binocular Microscope by Reichert (1960-65)
‘L-Ke’ Oufit with Nomarski Dic by Nikon (c.1972)
Axioskop 20 by Zeiss (1994)